One page, double-sided, handwritten letter to Kenneth MacMillan asking if, now that her role in Manon has been eliminated, she could learn Monica (Mason's) or, failing that, Vergie (Derman's) or Laura (Connor's). She would also like to learn Monica Mason's role in Elite Syncopations, with envelope, 4.4.1975

One file of press cuttings of reviews of performances by Houston Ballet including large cuttings of the premiere of Manon, 1994, and of the Ballet Ball following the Houston Ballet premiere of The Rite of Spring, which includes a photograph of Ben Stevenson greeting Deborah MacMillan, 1997

Derek Rencher was a dancer with The Royal Ballet creating roles in several of Kenneth MacMillan's ballets. He studied design and art history at the Royal College of Art before becoming a dancer and was a skilled artist. The material in this file comprises

1. One hand written colour postcard reporting on the success of Manon in Berlin, undated and postmark illegible
2. A limerick about Iris (Law) and Gwyneth (Matthews), with accompanying sketch
3. Stylised drawing titled Costume Romeo and Juliet Nursie Gerd Larsen, black pen and ink

The majority of material in this file consists of correspondence relating to Kenneth MacMillan granting the rights to The Australian Ballet to perform his ballet Manon, with many faxes between Kenneth and Deborah MacMillan, Simon Williams at Williams and Niblett Intellectual Property solicitors in Sydney, Australia, The Australian Ballet and Rubinstein Callingham, Polden and Gale, solicitors in London, UK. There are two letters from Maina Gielgud, Artistic Director of The Australian Ballet, initiating the discussion. Some of the faxes are annotated in hand by Kenneth and Deborah MacMillan and many of their replies consist of handwritten faxes. There is also a small amount of correspondence relating to the retirement of Noel Pelly as Administrator at The Australian Ballet, with handwritten tributes from Kenneth and Deborah MacMillan

The material in this file relates primarily to An Evening of Ballets by Kenneth MacMillan, staged by the Paris Opera Ballet in 1978. It includes a printed booking form, casting details, rehearsal schedules, a telegram from Rolf Lieberman referencing the difficulties that have occurred, agreements and payments, an invitation to the reception after the first night, and two handwritten cards from Violette [Verdy] one with praise for the dancers in Chant [Song of the Earth], 1978-1979
Other material relates to the impossibility of proceeding with Vivandiere, 1976, the possibility of performing Danses concertantes, 1983-1984, a typed letter from the Bureau de Musique Mario Bois about the possibility of administering the rights of choreographers, a handwritten breakdown of characters in Manon with two copies of typed versions from the Royal Opera House Wardrobe Department, 1989, and a handwritten fax from Deborah MacMillan with a list of fees paid by the Paris Opera Ballet, 1979-1985, 6 Aug 1990