Mostrar 27 resultados

The material in this file comprises correspondence and agreements relating to recordings of Kenneth MacMillan's work made by the National Video Corporation. It includes

1. An agreement for the recording and distribution of performances of Triad by American Ballet Theatre, 1984
2. An idc from Janet Judd, Press Office for The Royal Ballet, with credits for Romeo and Juliet, 1985
3. A letter and agreement for the recording of the bedroom pas de deuxs from Manon and Romeo and Juliet for use in a programme on Natalia Makarova, 1985
4. Faxes asking to extend the agreement for Manon, 1991
5. Correspondence for the use of Manon and Romeo and Juliet in the programme Variations on an Enigma, 1990
6. Correspondence and agreements for the use of Manon and The Prince of the Pagodas, 1990 and 1991
7. Faxes re the dispute with Mme A Bessant-Massenet over the credits required for the music used for Manon
8. Double page colour sales brochure with details of Manon with colour photo of Anthony Dowell and Jennifer Penney, n.d.

Two typed letters from Jiri Kylian, Artistic Director of the Netherlands Dance Theatre, and a carbon copy of Kenneth MacMillan's reply, about the possibility of creating a ballet for the Company, May 1976
One handwritten letter from Jiri Kylian reporting on having seen Wayne Eagling and Jennifer Penney dancing a pas de deux from Manon and inviting Kenneth MacMillan to create a work for the Company, 6 Oct 1982

One handwritten fax from Kenneth MacMillan to Gian Paolo Cresci at the Opera di Roma in response to his fax about Manon, 5 Oct 1992

The material in this file relates primarily to An Evening of Ballets by Kenneth MacMillan, staged by the Paris Opera Ballet in 1978. It includes a printed booking form, casting details, rehearsal schedules, a telegram from Rolf Lieberman referencing the difficulties that have occurred, agreements and payments, an invitation to the reception after the first night, and two handwritten cards from Violette [Verdy] one with praise for the dancers in Chant [Song of the Earth], 1978-1979
Other material relates to the impossibility of proceeding with Vivandiere, 1976, the possibility of performing Danses concertantes, 1983-1984, a typed letter from the Bureau de Musique Mario Bois about the possibility of administering the rights of choreographers, a handwritten breakdown of characters in Manon with two copies of typed versions from the Royal Opera House Wardrobe Department, 1989, and a handwritten fax from Deborah MacMillan with a list of fees paid by the Paris Opera Ballet, 1979-1985, 6 Aug 1990

The material in this file includes negotiations between Kenneth MacMillan and Partner and the Paris Opera Ballet for the production of Manon by the Company. There is correspondence with the Bureau de Musique Mario Bois concerning copyright in the choreography and in the score prepared by Leighton Lucas. There is also correspondence concerning the law suit taken out by Mme.Besson Massenet, a descendent of the composer Jules Massenet, and the National Video Corporation, and between Kenneth MacMillan and Partner agreeing to the ballet being performed as L'Histoire de Manon in France, 1990-1992

Publicity material from Philips about new ballet and opera titles being launched by Laservision, which include Manon, 19 Sep 1984

One press review by Clive Barnes of a performance of a triple bill of Kenneth MacMillan ballets by The Royal Danish Ballet, n.d. but 1961.
Letters from The Royal Danish Ballet asking about the possibility of performing some of Kenneth MacMillan's ballets, including Mayerling, Manon and Concerto, 1977-1990.
Two handwritten faxes from Kenneth MacMillan to The Royal Danish Ballet about Concerto, 1991.
Faxes from The Royal Danish Ballet about performances of Concerto and Pavane, 1990-1991.
Agreements with Deborah MacMillan for costumes for Pavane, 13 Sep 1991, and with Kenneth MacMillan for Concerto and Pavane, 17 Sep 1991.

This file contains:

1. Agreement for Concerto, 1968
2. Two letters from Brigitta Bergrren-Hedin, one including a request for two dancers to perform the Romeo and Juliet balcony pas de deux at Varna, and comments on Erik [Bruhn], 14 May 1970
3. Christmas postcard with black and white photograph of the Company in Les Noces (Robbins), 1971
4. Letter from Ivo Carmer re casting Romeo and Juliet, 7 May 1979
5. Letter from Veil Bethke re performing Manon in 1980, a typed list of the opera/ballet dancers in the 1979/80 season, with Kenneth MacMillan's note for corps de ballet roles, double page leaflet with head shots of the company members for the 1979/80 season with K. MacMillan's notes re roles
6. Invitation to a meeting of The Ballet Club of the Royal Opera, 13 Nov 1980, with envelope
7. Good luck telegrams from Norman [Morrice] and Iris [Law] for the first night of Manon, 22 Nov 1980
8. Greetings card from The Royal Swedish Ballet thanking K MacMillan for Manon, 22 Nov 2980
9. Letter from Gunilla ? enclosing a photocopy and a translation of a review of Manon during The Royal Swedish Ballet's tour to the Soviet Union,1981
10. Handwritten postcard from Desmond Reid re Princess Lillian of Sweden attending the opening performance, with envelope, n.d.
11. Correspondence between Kenneth and Deborah MacMillan, Kenneth MacMillan's Agent Kenneth Ewing and Solicitor David Ashby, and The Royal Swedish Ballet concerning performing rights for Romeo and Juliet and Manon, including copies of agreements, 22 Oct 1987-29 Jun 1988
12. Letter from Nils-Ake Haggbom inviting Kenneth MacMillan to look at the Company, do new casting for Manon, and discuss a new work, 20 Feb 1990, including a schedule of performances

One file containing handwritten notes and typed scenario, and a later publication proof. The material comprises

1. Two pages of handwritten breakdown of the action of the ballet by Act and Scene, with timings, by Kenneth MacMillan, in blue biro with additions in pencil and black felt tip pen. On Royal Opera House headed notepaper
2. Three pages of handwritten breakdown of the action of the ballet by Act and Scene, with timings, in an unidentified hand. On lined paper
3. Two typed pages giving the scenario for the ballet, with handwritten annotations by Kenneth MacMillan in pencil and black felt tip pen, and break down with timings on the reverse of each page. The second page has a piece torn off but there is no missing information
4. Photocopy of two typed pages giving the scenario for the ballet, with slight differences from item 2
5. Six photocopied pages of proofs for notes to accompany the Covent Garden Video Production recording of Manon, with some queries and annotations (large)

One file of correspondence and telegrams relating to the first night of Manon, with one later letter. The material comprises

1. 20 greetings telegrams sending good luck for the first night of Manon, including from Frederick Ashton, Natalia Makarova, John Tooley, 'The Touring Trash', Michael Wood. One dated 6 Apr 1974, others undated or postmarked 7 Mar 1974
2. One greetings card from Romayne Grigorova, Ballet Mistress
3. One handwritten letter from Arnold Haskell to Kenneth MacMillan sending an early edition of Manon for good luck
4. One ticket for the Gala Premiere of Manon at the Royal Opera House, 7 Mar 1974
5. One photocopy of a letter from the Comptroller to Queen Elizabeth The Queen Mother to The Earl of Drogheda, Chairman of the Royal Opera House, sending Her Majesty's warmest congratulations. On Clarence House headed notepaper, 8 Mar 1974
6. One handwritten postcard from Lord Donaldson, member of the Board of the Royal Opera House, to Kenneth MacMillan sending best congratulations. 9 Mar 1974
7. One handwritten letter from John Sainsbury, sending congratulations and love from he and Anya, 18 Mar 1974, with envelope
8. One handwritten letter from Dicky [Richard Buckle], excusing his review, with envelope, 12 Mar 1974
9. One typed letter on Community Relations Commission letter head, from Mark Bonham Carter, member of the Board of the Royal Opera House, offering congratulations and suggestions for some cuts to the work, 18 Mar 1974
10. One handwritten airmail letter from John Lanchbery to Kenneth MacMillan, about Manon being performed in Stockholm and asking to talk about the musical re-arrangement Kenneth MacMillan would like done, 18 Apr 1980