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The second play that Kenneth MacMillan directed was August Strindberg's The Dance of Death for the Royal Exchange Theatre, Manchester, England, in 1983

The typed script is interleaved with blank pages, and has handwritten notes by Kenneth MacMillan in black felt tip pen, graphite, green, purple, orange, brown and red pencils. The notes include a list of scenes, pacing, motivation and mood. The title page is signed and dated, Kenneth MacMillan Aug 15 Manchester '83. There is a black and white postcard of August Strindberg taped to the inside front cover of the binder, sent from Stockholm, signature illegible

The material in this file consists of correspondence and printed material from departments of the Royal Exchange Theatre, Manchester, England and comprises:

1. One typed letter from the Friends Organisation re a lecture/presentation, three typed letters from the Marketing and Publicity Director including a photocopy of an image by Franck Starowieski, and one compliments slip, Mar - Aug 1983
2. Six typed pages of production notes, Aug-Sep 1983
3. One letter from the Finance Manager with budget figures, 14 Jun 1983
4. One invitation to the Photo and Press Call, 13 Sep 1983
5. Two photocopies of advertising material for Autumn at the Royal Exchange Theatre, one printed season brochure for September 1983, two printed double page leaflets for The Dance of Death with booking details, one printed programme for The Dance of Death
6. One memo giving details of Production Expenditure and Orders as at 1 Sep 1983

The material in this folder consists of correspondence from members of the cast and artistic administration at the Royal Exchange Theatre, Manchester, and with agents and members of the public. There is also some reference material relating to August Strindberg. The material comprises

1. Five handwritten letters, three with envelopes, one handwritten postcard and one typed list from Jill Bennett to Kenneth MacMillan, Mar - Nov 1983 and n.d. One handwritten postcard from Robert Hardy to Jill Bennett which she has forwarded to Kenneth MacMillan, n.d.
2. Three handwritten letters, two with envelopes, from Edward Fox to Kenneth MacMillan, Apr and Jun 1983 and n.d.
3. Two handwritten postcards, two typed letters, one with envelope, from Michael Meyer to Kenneth MacMillan. One letter encloses Michael Meyer's programme note Strindberg and The Dance of Death
4. Copies of correspondence from Saraband Associates and Fraser and Dunlop Ltd, copied to Kenneth MacMillan, re the use of Michael Meyer's adaptation of The Dance of Death, Nov 1982-Mar 1983. Two pages of carbon copy and 10 fax pages, two compliments slips and one typed note
5. One typed letter from Casper Wrede, Resident Artistic Director, to Kenneth MacMillan, 9 Nov 1983
6. One handwritten letter from Michael Elliott, Artistic Director, to Kenneth MacMillan, 6 Nov 1983
7. One handwritten letter from Helen [McMurray] to Kenneth MacMillan, on Granada TV Ltd headed notepaper, 21 Oct 1983
8. One typed letter of praise to Kenneth MacMillan, signature illegible, n.d.
9. One handwritten copy of a letter from Kenneth MacMillan to Miss Alexander confirming that all roles in the play have been filled, 17 Jul 1983
10. One typed letter from Robert Lantz, New York, re recent meeting and possibility of working together in the future, 7.6.1983
11. One typed list of possible actors and their agents, from Saraband Associates, 16.5.1983
12. One handwritten postcard from Adrian Mitchell, postmarked 5.5.1983, and one handwritten postcard from Ted Hardwicke (? signature not clearly legible), with envelope, 11.5.1983
13. One typed letter from Fraser and Dunlop Ltd with two black and white photographs of possible actors for the children in the play, 23.3.1983
14. One copy of a typed letter from the Finance Manager of the Royal Exchange Theatre to Saraband Associates re Kenneth MacMillan's contract, 15.3.1983
15. One image of a danse macabre
16. Photocopy of an article Strindberg and the Danse Macabre by Walter Johnson, from Modern Drama (May 1960), five pages
17. Photocopies of The Turning Point, uncredited and undated, five pages