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Full length portrait. Bedells is standing outdoors on a plinth, wearing a tunic with rolled up trousers.

Full length studio portrait. Bedells is standing with her right leg on pointe and left leg extended in a low arabesque derriere. Both arms are in a fifth position. The name of the dancer and photographer is printed on the bottom of the image.

Full length studio portrait. Bedells is seated, dressed in a fur stole. The photographer's copyright stamp is given on the reverse.

Head and shoulder portrait. Bedells is looking and smiling directly at the camera (BED.72a); Bedells ahs her face turned away to the right (BED.72b).

Half length studio portrait. Bedells is seated in a chair with her right hand on her chest and left arm resting on the armrest. The name of the dancer is handwritten on the image. The photographer's copyright information is printed on the frame of the image.

Full length portrait. Gordon and Idzikowski, are standing on the left of the image, Bedells and G.B.L. Wilson are standing on the right of the image. The photographer's copyright stamp is given on the reverse.

Half length portrait. Jean Bedells on the right of the image, Phyllis Bedells in the middle and Mahr, on the left of the image, are seated. A handwritten note reading, 'with all my love! Martha Mahr', is found on the reverse. Mahr was a teacher from the US, attending the RAD Summer School.

Full length portrait. Phyllis Bedells is seated in an armchair, in the garden, with her great-grandson on her lap. Jennie is kneeling at the side of the chair while Jean Bedells is leaning over the back. The names of the dancers, event and date is handwritten on the reverse.

Head and shoulder's portrait. The name of the photographer is printed on the bottom left corner of the image. The name of the dancer and source of donation is handwritten on the reverse. The photographer's copyright stamp is also found on the reverse.