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One press review by Clive Barnes of a performance of a triple bill of Kenneth MacMillan ballets by The Royal Danish Ballet, n.d. but 1961.
Letters from The Royal Danish Ballet asking about the possibility of performing some of Kenneth MacMillan's ballets, including Mayerling, Manon and Concerto, 1977-1990.
Two handwritten faxes from Kenneth MacMillan to The Royal Danish Ballet about Concerto, 1991.
Faxes from The Royal Danish Ballet about performances of Concerto and Pavane, 1990-1991.
Agreements with Deborah MacMillan for costumes for Pavane, 13 Sep 1991, and with Kenneth MacMillan for Concerto and Pavane, 17 Sep 1991.

One digital print of Solitaire, c.1960, three photographs of Concerto and three of Pavane

One handwritten letter, signature indecipherable, about Kenneth MacMillan joining Alan Price and Gerald Scarfe to create a version of Phantom (of the Opera), 20 Sep 1984
One typed compliments slip with six pages of inserts for the script of Phantom of the Opera, n.d.
One typed letter from Sophie Marshall, Casting Director, about casting for Who's A Lucky Boy?, 9 Nov 1984

Photographs of the ballet sequence in Carousel in production in Japan

One typed letter on two pages of 'Art Gallery and Museums and The Royal Pavilion' headed notepaper, from Mrs Lou Taylor, Costume Department, about material relating to Les Ballets 1933 held in the museum collections and asking for any help Kenneth MacMillan could offer in identifying some of the costumes, 19 July

This file contains:

1. Agreement for Concerto, 1968
2. Two letters from Brigitta Bergrren-Hedin, one including a request for two dancers to perform the Romeo and Juliet balcony pas de deux at Varna, and comments on Erik [Bruhn], 14 May 1970
3. Christmas postcard with black and white photograph of the Company in Les Noces (Robbins), 1971
4. Letter from Ivo Carmer re casting Romeo and Juliet, 7 May 1979
5. Letter from Veil Bethke re performing Manon in 1980, a typed list of the opera/ballet dancers in the 1979/80 season, with Kenneth MacMillan's note for corps de ballet roles, double page leaflet with head shots of the company members for the 1979/80 season with K. MacMillan's notes re roles
6. Invitation to a meeting of The Ballet Club of the Royal Opera, 13 Nov 1980, with envelope
7. Good luck telegrams from Norman [Morrice] and Iris [Law] for the first night of Manon, 22 Nov 1980
8. Greetings card from The Royal Swedish Ballet thanking K MacMillan for Manon, 22 Nov 2980
9. Letter from Gunilla ? enclosing a photocopy and a translation of a review of Manon during The Royal Swedish Ballet's tour to the Soviet Union,1981
10. Handwritten postcard from Desmond Reid re Princess Lillian of Sweden attending the opening performance, with envelope, n.d.
11. Correspondence between Kenneth and Deborah MacMillan, Kenneth MacMillan's Agent Kenneth Ewing and Solicitor David Ashby, and The Royal Swedish Ballet concerning performing rights for Romeo and Juliet and Manon, including copies of agreements, 22 Oct 1987-29 Jun 1988
12. Letter from Nils-Ake Haggbom inviting Kenneth MacMillan to look at the Company, do new casting for Manon, and discuss a new work, 20 Feb 1990, including a schedule of performances

Black and white photographs of the first performance of Manon by the Swedish Royal Ballet, 1981, and colour photographs of the first performance of Mayerling by the Swedish Royal Ballet, 1997. Four photographs mounted on card with 'Thank You!' handwritten on card, one each of Kenneth MacMillan, Las Hermanas, Romeo and Juliet and Manon (large). One composite card showing Kenneth MacMillan taking a rehearsal in the studio with a photograph of Romeo and Juliet town scene, and 'Stockholm 5 & 6 December 1969' handwritten on card, the reverse with signatures of members of the Company (large)