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This Library series contains published material collected by Kenneth and Deborah MacMillan and includes press cuttings, books, programmes and periodicals as well as some vinyl LP records.
Press cuttings include interviews with and articles on Kenneth MacMillan, previews and reviews of the ballets and plays he worked on, obituaries and tributes following his death.
This series also contains commercial recordings of vinyl records of music used by Kenneth MacMillan for his ballets.

One typed letter from Genevieve Oswald, Curator of the Dance Collection at the Library and Museum of the Performing Arts, New York Public Library, introducing Dale Harris, oral historian, and asking if Kenneth MacMillan will be available to be interviewed as part of the Library's oral history project, 23 Jun 1978, with accompanying envelope

This file contains several lists of the works of Kenneth MacMillan taken from a variety of sources, some with additions in pencil or pen. There is a list of Benesh Movement Notation scores held at the RAD, with some markings by Jann Parry

One handwritten letter from Angela Kane to Kenneth MacMillan asking to meet to discuss her article for The Dancing Times on GCSE and A Level examinations in Dance and the ballets by Kenneth MacMillan that will be used as set pieces. She encloses papers from the Examination Boards detailing the aims of the examinations, the syllabus for the new A Level, and specimen and past papers for both GCSE and A Level, which include questions on MacMillan and his work

One typed letter from Harold King, Artistic Director of London City Ballet, asking if the Company could perform a work by Kenneth MacMillan, existing or new, 14 Jun 1983

Performances include Lydia Kyasht and Adeline Genée

Includes Adeline Genée in The Pretty Prentice (p. 148)

Includes the Association of Operatic Dancing's production of 'The Debutante' with Phyllis Bedells and Harold Turner; and Adeline Genée dancing with Anton Dolin in 'The Love Song'.

One black and white photographic print of Kenneth MacMillan rehearsing the dancers of London Contemporary Dance Theatre in the Venusburg ballet for The Royal Opera's production of Tannhauser in 1984 (large)

One typed letter from Richard Ralph, Principal of the London School of Contemporary Dance, talking about video rights and inviting Kenneth MacMillan to visit the new school, 2 Oct 1979, with accompanying envelope