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The file contains statements for payments received, sent by London Artists Ltd., London International, International Famous Agency and London Management between 1964 and 1976

This file contains correspondence between Kenneth and Deborah MacMillan, their Agents International Creative Management Inc., specialist legal advisers and American Ballet Theatre covering the terms of Kenneth MacMillan's appointment as Artistic Associate, for the performance of some of his ballets, and payment of royalties. There is correspondence from a firm of solicitors advising re US Withholding Tax, and from the Consul of the United States confirming Kenneth MacMillan's right to employment in the US

The notice records the resolutions passed at a meeting held for the purposes of taking into consideration the best mode of conducting this assembly for the present season, presented by T. Southwood, Treasurer.

Letter from Neil S Fleckman of Fleckman & Co. Management and Production, enclosing cheque for performances of Romeo and Juliet pas de deux by Alessandra Ferri and Friends during a tour of outdoor festivals in Italy, summer 1988, 15.11.1988

All Arts Agency Inc, based in New York, U.S.A., was responsible for licencing performances in America. The correspondence in this file comprises a copy of the contact between Kenneth MacMillan and All Arts Agency, granting a licence for excerpts of his ballets to be performed in the US by members of The Royal Ballet, signed by Mr Van Joyce and Kenneth MacMillan, 6.6.1984

In the Gracious Presence of Her Majesty the Queen. In aid of the re-building fund of the Malet Street Theatre.

One photograph of the set design for the Ballroom Scene in Winter's Eve, one photograph of Kenneth MacMillan and Mikhail Baryshnikov in rehearsal studio [for Wild Boy], and six photographs of the model sets for The Sleeping Beauty

These cuttings include notices about Kenneth MacMillan joining American Ballet Theatre and reviews of his ballets. There are some large general cuttings including on Mikhail Baryshnikov as the new Artistic Director, reviews of Murder ballet, and a tribute performance to Kenneth MacMillan