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Full length costume portrait. Bedells is standing with her left leg on pointe and right leg in a low attitude derriere. Her right arm is raised and left arm is extended downwards.

Full length portrait. Fonteyn and Bedells are seated on the far right of the image. The event and date is handwritten on the reverse. The dinner was held at the Royal Garden Hotel, 22 January 1967, and organised by the Association of Ballet Clubs. Kathleen Gordon and Anton Dolin are also pictured.

Head and shoulder's portrait. The name of the photographer is printed on the bottom left corner of the image. The name of the dancer and source of donation is handwritten on the reverse. The photographer's copyright stamp is also found on the reverse.

Head and shoulders portrait. The name of the photographer is printed on the bottom right corner of the image. The name of the dancer and source of donation is handwritten on the reverse. The photographer's copyright stamp is also given on the reverse.

Full length portrait. Phyllis Bedells is seated in an armchair, in the garden, with her great-grandson on her lap. Jennie is kneeling at the side of the chair while Jean Bedells is leaning over the back. The names of the dancers, event and date is handwritten on the reverse.

Half length portrait. Jean Bedells on the right of the image, Phyllis Bedells in the middle and Mahr, on the left of the image, are seated. A handwritten note reading, 'with all my love! Martha Mahr', is found on the reverse. Mahr was a teacher from the US, attending the RAD Summer School.

Full length portrait. Gordon and Idzikowski, are standing on the left of the image, Bedells and G.B.L. Wilson are standing on the right of the image. The photographer's copyright stamp is given on the reverse.

Half length studio portrait. Bedells is seated in a chair with her right hand on her chest and left arm resting on the armrest. The name of the dancer is handwritten on the image. The photographer's copyright information is printed on the frame of the image.

Head and shoulder portrait. Bedells is looking and smiling directly at the camera (BED.72a); Bedells ahs her face turned away to the right (BED.72b).