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The correspondence in this file includes students researching for school projects and undergraduate thesis, members of the public seeking information about music for ballets, journalists wishing to interview Kenneth MacMillan including the Kennel Club, and designers asking Kenneth MacMillan to look at their work. There is an autograph draft reply to one letter, one of the letters has handwritten domestic notes on the reverse and one envelope has pencil sketches on the reverse

The correspondence in this file includes requests for autographs and photographs, and a contribution to the Friends of St Georges Society, Great Yarmouth

Letters, cards and postcards to Kenneth and Deborah MacMillan, some from fans, some from friends and colleagues. They are signed with given name only so need further identification

The files in this series of records were accumulated by Kenneth and Deborah MacMillan during the course of Kenneth MacMillan's career. They include personal and professional correspondence with individuals which illustrates the close relationships between the choreographer and the companies he worked with.

The Actors Centre was founded in1978 as a charity by Clive Swift, Sheila Hancock, John Alderton and William Hobs. The vision was to create a space where working actors could network and support each other as well as continue their professional training. This file contains two typed letters from William Hobbs, one of the Directors of The Actors Centre

1. Explaining the aims of the Centre and asking if Kenneth MacMillan would consider leading a workshop, 3.1.1980, with envelope
2. Asking if any of the dates for forthcoming workshops would be convenient for Kenneth MacMillan to lead a workshop, 18.2.1980

All Arts Agency Inc, based in New York, U.S.A., was responsible for licencing performances in America. The correspondence in this file comprises a copy of the contact between Kenneth MacMillan and All Arts Agency, granting a licence for excerpts of his ballets to be performed in the US by members of The Royal Ballet, signed by Mr Van Joyce and Kenneth MacMillan, 6.6.1984

Letter from Neil S Fleckman of Fleckman & Co. Management and Production, enclosing cheque for performances of Romeo and Juliet pas de deux by Alessandra Ferri and Friends during a tour of outdoor festivals in Italy, summer 1988, 15.11.1988

Lucia Chase, dancer, co-founder and co-director of American Ballet Theatre, first met Kenneth MacMillan at the Royal Opera House, London in 1956. She immediately commissioned a new work from him for ABT which premiered the following year. She also took several of his works into the Company's repertoire and wrote often requesting a new work for her Company. The material in this file covers the first performance of Concerto, mentions of Las Hermanas, which Lucia Chase danced in, Danses concertantes, Romeo and Juliet and the creation of Pavane pas de deux for Gelsey [Kirkland] and Ivan [Nagy], and two covering letters enclosing payments for performances of Pavane pas de deux, Danses concertantes and Concerto during the Spring Season, 1978. There is an interdepartmental communication from Kenneth MacMillan to John Tooley about letting ABT perform Pavanne (sic), 14 Nov 1977