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The material in this file comprises

1. Three programmes and two booking forms
2. 29 hand written show reports for each performance, completed by Karen Ballard, Stage Manager, with three handwritten covering notes, 18 Apr-19 May 1984
3. One telegram and three postcards wishing good luck, one from Michael [Attenborough], one from Keith [Grey]
4. One poster for the production at the Hampstead Theatre, inscribed 'Darling Sara, Thank you for the play, all my love Kenneth' (filed in Kenneth MacMillan Archive Large Box 55a)

Kenneth MacMillan continued to be interested in the possibility of directing for the theatre. These files contain correspondence about and scripts of plays that he considered and others that were sent to him for consideration plus some general correspondence

A typed script of The Seagull by Anton Chekhov translated by Michael Frayn, Sep 1985, 84 pages including title page, 14 pages of introduction with a note on the translation by Michael Frayn, one page of characters, one page on the pronunciation of names and 67 pages of the play, Sep 1985, with compliments slip from Fraser & Dunlop Scripts Ltd,

One script for Partly Furnished by Barry L HIllman. The typed booklet contains quoted from reviews of the performance at the Dublin Festival in 1971, one page of notes and 14 pages of script

One typed letter from Terence Pritchard, Facelift Films, to Kenneth MacMillan about his possible participation as choreographer for The Merry Widow, with Kenneth MacMillan's typed note confirming his interest both 23 Jul 1980. One typed letter from Terence Pritchard, Marks and Pritchard Motion Picture Production Consultants to Kenneth MacMillan about his possible collaboration on a film of The Merry Widow, with Mikhail Baryshnikov as Paul Gavronski. Audrey Hepburn is interested in appearing, 9 Nov 1981
One ring bound copy of the script comprising title page, cast and main characters, the approach to the film version by Alan Jay Lerner 3 Sep 1981, Author's note and 72 pages of screenplay

Photocopy of a play text for Conpersonas A Recreation in Two Acts by Paul Stephen Linn, copyright 1977, published by Samuel French, Inc. The play text comprises five pages of introduction and 35 pages of script, with an additional page sellotaped to the inside front cover giving quotes from critics

The material in this file comprises

1. One typed letter from Dennis Moore enclosing the script and two different recordings of the score for On Your Toes, explaining the differences (the recordings are not in this file), 28.1.1983
2. Carbon copy of the script comprising the title page, cast, the acts and scenes and 59 pages of script, unbound and undated
3. Issue of The New Yorker 9.5.1983, with a review of The Royal Ballet in New York by Arlene Croce in particular the first performances of Mayerling in America

Photocopy of the script for The Little Carts or Working the Dolls, A Play in One Act by Bryan Guinness, first published in The Dublin Magazine, Spring 1968, 16 pages, with By Bryan Guinness (Lord Moyne) and an address handwritten in felt tip pen on the front page

Photocopy of a play script for The Disenchanted A Drama in Three Acts by Budd Schulberg and Harvey Breit, based on the novel by Budd Schulberg, published by Samuel French, Inc, copyright 1959, comprising a title page, page with rights, cast list with details of the first performance in 1958, synopsis and 39 pages of script, unbound

This is one of two copies of Roxanne Shafer's play Come the Revolution. This one is accompanied by a typed letter from Roxanne Shafer to Kenneth MacMillan asking for his views on her enclosed script, 12.11.1983
The script is for Act one of the play and comprises the title page plus 82 pages, copyright 1983