Six photographs of Marion Tait and Desmond Kelly, two of Christine Aitken and Alain Dubreuil
MacMillan, KennethOne photograph of Marion Tait and Desmond Kelly as Gemini in 6.6.78, created to commemorate the 80th birthday of Ninette de Valois
MacMillan, KennethThe material relates to two typescript scenarios for ballets submitted for consideration to the Sadler's Wells Ballet
- La Fenetre by Leo Quayle, two page typescript with pencil drawing of set layout, correspondence between Leo Quayle, Robert Irving and Ninette de Valois, 9 Jun 1952 - 31 Dec 1954
- The Dancing Bear by Peter Skelton, four page typescript, correspondence between Peter Skelton and Ninette de Valois 1 Feb 1954 - 1 Jan 1955, handwritten note from [John Piper], n.d.
- One sepia pen and ink drawing with Sadlers Wells in a banner. On reverse a pen and ink drawing of a woman, possibly a costume design
- Envelope address to Kenneth MacMillan, Sadler's Wells Ballet at the Royal Opera House, 1950
- Printed menu for the Edinburgh International Festival 1948. The front cover drawing includes two dancers, the back cover photographs include one of Margot Fonteyn and Robert Helpmann in Swan Lake
- Printed menu for Breakfast in the Dining Car on the Union Pacific Railroad, with 'Sadler's Wells Ballet, Covent Garden Opera and Sol Hurok Orchestra En route November 16, 1950' on reverse
- Two photocopies of a letter from Ninette de Valois to Miss Roche reporting on her impression of Kenneth MacMillan following his recent audition, 8 Jan 1945
- Two letters each from Ailne Phillips and Donald Albery to William MacMillan (Kenneth MacMillan's father) re scholarship and accommodation, Nov [1944] - Apr 1945
Kenneth MacMillan joined the Sadler's Wells Ballet School in 1945 and the Sadler's Wells Ballet in 1946. He created his first choreography for the Sadler's Wells Choreographic Group in 1953.
MacMillan, KennethThis file contains:
- One page schedule for 1990/91 season, with handwritten annotations by Kenneth MacMillan
- Royal Opera House provisional rehearsal schedule, 1990/91
- The Royal Ballet rehearsal schedule with casts and repetiteurs, Feb 1992
- Rehearsal calls for Birmingham Royal Ballet in Birmingham, Feb 1992
- The Royal Ballet schedule for classes, 1992/93
- The Royal Ballet rehearsal schedule, 1992/93
This file contains:
- Schedule for Sadler's Wells Royal Ballet at the Royal Opera House as part of The Royal Ballet's 50th anniversary season, Jun 1981
- List of ballets proposed for 'Special' programme, celebrating The Royal Ballet's 50th anniversary
- Handwritten list of venues and dates, 1981/82
- Handwritten schedule for regional tour, May/Jun (no year), with Kenneth MacMillan's handwritten notes
- List of Running Times of individual ballets, Sep 1983
- Casts for Requiem, 1983/84 season
- List of dancers in The Royal Ballet, 1983/84 season
- Provisional repertoire and tour schedule, 1984/85 season with idc from Anthony Russell Roberts
- Handwritten list of Opera Ballet rehearsal calls for week commencing 10 Sep 1984, including Tannhauser
- Royal Opera House provisional schedule, 1988/89 season
- Handwritten castings for Romeo and Juliet, Oct 1988, with idc from Iris [Law], n.d.
- The Royal Ballet rehearsal schedule, 1988/89 season
- Royal Opera House provisional schedule, 1989/90
- Sadler's Wells Royal Ballet rehearsal calls at Sadler's Wells Theatre, Dec 1989
This file contains:
- Lists of ballets in the repertory and sets for possible sale, 1970
- Royal Opera House provisional Schedule, Aug 1970-Jul 1971
- The Royal Ballet season, performances and stage calls, 1970/71
- The Royal Ballet casts for New York Season, 1976
- Draft press release for 1976/77 season
- Natalia Makarova scheduled performances at the Royal Opera House, Nov/Dec 1976
- Royal Opera House provisional schedule, 1976/77
- The Royal Ballet 1976/77 season future repertoire, with handwritten notes re casts
- The Royal Ballet 1976/77 season future repertoire, with typed casts and handwritten notes
- The Royal Ballet School performances, 1976/77, two typed lists with handwritten notes
- The Royal Ballet 1976/77 season scheduled repertoire, Mar-Jul, typed with handwritten casts
- Royal Opera House provisional repertoire, 1977/78
- Cast list for 6.6.78, SWRB season 1978/79
- Provisional cast for Gloria, 1979/80
- Two copies of Royal Opera House schedule 1979/80, one with changes
- Cast list for the Royal Ballet School performances in 1980
- Cast list for Song of the Earth 1979/80, with annotations
- Rehearsal calls for The Royal Ballet for week commencing 12 July (no year), with handwritten notes
This file contains material relating to the creation of costumes, props, scenery and projections required for the production of Isadora and includes correspondence and lists from different production departments in the Royal Opera House, Covent Garden during the making of the ballet. It comprises
- Two cast lists, one typed and one photocopied with surnames of the different dancers who will be performing each role. The typed list has annotations on the reverse by Kenneth MacMillan for casting. There are additional annotations on the front not all by Kenneth MacMillan. Undated
- Five Costume Plot lists on large paper giving the Character, scene and costume required. Four comprise one plot each for Principals and for Company/Actors for Act I and Act II. Undated though the production date is given as April 1980. With envelope addressed to Kenneth MacMillan at the Operan Kungil Teatern, Stockholm, postmarked 5 Nov 1980. There is an additional costume plot for Act I which has some handwritten additions by Kenneth MacMillan
- Typed costume list for the character Isadora, with details of what costume for each scene
- Handwritten note from Kim Baker, Wardrobe Supervisor, on Royal Opera House headed notepaper, to Kenneth MacMillan enclosing photostats of the Extra Russian Peasants that Barry Kay, designer, would like. With three black and white photocopies attached. Undated
- Three pages from a 1981 diary with a handwritten list of scenes with the extras/actors required for each scene. Four company names are included, in red ink. There is a note attached on a Royal Opera House compliment slip Still Need: 1 male extra
- Photocopy of four typed pages of Points discussed between Mr MacMillan, Miss Baker and Miss Pullen, 8.8.1980. Gives a list of the Principal casting following cuts made, then a scene by scene list with characters appearing in each scene. From Janice Pullen, Wardrobe Director, Royal Opera House
- Handwritten letter from Janice Pullen to Kenneth MacMillan, enclosing draft plots of Act I and II, following their meeting on 8th August (see item 2). Attached is a photocopy of a list of costumes required for each act
- Four typed pages of a Resume of Principals, Company and Extras, as stated at the last meeting of 2.11.1980. There are annotations by Kenneth MacMillan giving the names of dancers for some roles, and further annotations by Kim Baker
- Typed letter from Janice Pullen to Kenneth MacMillan, enclosing minutes of their last meeting. Attached are four typed pages recording the meeting held on 31.10.1980 in Sir John Tooley's office. The meeting discussed the additional costumes required due to a change in the set, and the notes include a break down of the number of characters appearing in each scene. There are annotations by Kenneth MacMillan
- Photocopy of four pages of handwritten list of costume available and to be worn at the first dress rehearsal on 25th April. Costumes not available are highlighted in orange marker pen. Undated
- Photocopy of 17 black and white photographs of the model set designed by Barry Kay, shown with changes between each scene. Undated
- 13 pages, 12 photocopies and one of mounted images with Barry Kay's handwritten descriptions, of Projections and Effects. The 13 pages comprise a title page, two pages of description of themes, of the equipment required and a proposed working method, and ten pages of images for each scene requiring projections and a description and explanation. Undated
- Seven pages of a handwritten list for Hand Props, detailing what props are required by which character for each scene. In blue biro and pencil, undated
- Photocopy of four pages of a typed Preliminary Props List (3), 8 Aug 1981
- Photocopy of four pages of a typed Preliminary Props List, as item 14 but with annotations
- Inter Departmental Communication from Keith Gray, Ballet Stage Manager, to Kenneth MacMillan giving timings for each scene. Undated
- Black and white photocopy of a design for character danced by Ross MacGibbon, with handwritten note by Kenneth MacMillan asking for change to the trousers (large)