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Kenneth MacMillan created the Gala pas de deux for Natalia Makarova and Donald MacLeary which premiered by The Royal Ballet at the Royal Opera House on 17.7.1974. It was danced to the second movement of Symphony in Three Movements by Igor Stravinsky. The material comprises one page of incomplete Benesh Movement Notation score

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act I of Monica Parker's working score and comprises

1. Two pages titled Manon Act I scene 1, with a list of music and dancers' names and a list of characters, in pencil
2. One lined page with notes for the music for Act I scene 1 in biro, with corrections in pencil
3. 42 pages of notation, in pencil with some notes in red biro

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act II of Monica Parker's working score and comprises

1. One lined page with a list of the music excerpts plus some dancers' names, in red biro and black ink. Dated 6.2.1975
2. One page of Act II scene 1 and Act II scene 2 list of the scenes and the music, in blue biro
3. 56 pages of Benesh Movement Notation score, 2 pages of photocopied score and three smaller unlined pages with notes. Mostly in pencil with page numbers in blue biro

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act III of Monica Parker's working score and comprises

1. One lined page with a list of the music and dances, some with dancers' names atttached, in blue biro and pencil
2. Two typed pages, one with instructions for filing the document, one with a typed list of the scenes in Act III by number, and the page number for the music score
3. 39 pages of the Benesh Movement Notation score in pencil
4. 39 pages of Benesh Movement Notation score, in pencil with some pages numbered in black ink

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains photocopies of Monica Parker's working score and includes some material that is not in the original score. The material comprises

1. A typed note giving instructions for arranging the score in the folder
2. Act I, 40 pages of photocopied Benesh Movement Notation score
3. Act II, 48 pages of photocopied Benesh Movement Notation score
4. One typed page giving details of Act II, scenes 1 and 2 dances and page numbers for the music score
5. Act II, 83 pages of photocopied Benesh Movement Notation score, some duplicating item 3 above
6. Act III, 15 pages of photocopied Benesh Movement Notation score

Kenneth MacMillan created the three-act ballet The Prince of the Pagodas for The Royal Ballet which premiered on 7.12.1989 at the Royal Opera House, London. There are two files of Benesh Movement Notation score. This file contains

1. Three pages listing the dances for Acts I, II and III with the corresponding page number for the music score, in pencil
2. 21 pages of Benesh Movement Notation score, mostly for Princess Rose (Darcey Bussell), The Salamander/Prince (Jonathan Cope) and the Four Kings, in pencil

Kenneth MacMillan created the three-act ballet The Prince of the Pagodas for The Royal Ballet which premiered on 7.12.1989 at the Royal Opera House, London. There are two files of Benesh Movement Notation score. This file contains

1. Ring bound volume containing 22 pages with 5 additional pages loose, in pencil and black biro, dated Feb 1988 on front cover. The last page has a long note to Monica (Parker?) explaining difficulties with the score. The signature is not legible but possibly from Michele Braban
2. Ring bound volume containing four pages of photocopies of the score, 12 pages with two additional pages, in pencil
3. 31 original pages of score and 75 pages of photocopies of score, many with notes and queries to MP (Monica Parker), unsigned but possibly from Michele Braban. One handwritten note by Monica Parker titled Teddy -Mesmeric in pencil attached to one page of score, 8 pages of photocopies of the music score

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains

1. Three pages of lined paper with a handwritten list of the action of the ballet by Act and Scene, in blue biro
2. One photocopy of a fax giving a list of the extras for Romeo and Juliet, Teatro Alla Scala, Milan, 17.5.1995
3. Photocopies of three pages of a typed Rudimentary Prop List, with As of 12/13/84 handwritten on top of first page, with pencil annotations by Monica Parker, the list dated 13.5.1975
4. Photocopy of a stage plan with placings for props, Act I, scene 1, January 1976, The Royal Ballet

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains the rough score by Faith Worth and comprises

1. Two title pages giving Book Numbers and contents, handwritten in black biro on score paper
2. Book 12, ring bound in blue card covers, with Romeo Act I Fight, Act II Letter Scene and Act II Romeo and Tybalt Fight on front cover, with notes and date 1980 in top right cover, in black biro over pencil and blue biro. 13 pages of score handwritten in pencil, blue biro and red felt pen. No back cover
3. Book 1, ring bound in blue card covers with Romeo, Romeo and Juliet on front cover with other details crossed out and details of Notes contained in the book added. Pencil, blue biro and felt tip pen, red felt tip pen. Two pages of score handwritten in pencil with green and black felt pen additions. Internal divider of blue card with Book 8, Corps - wedding Act II, Romeo, and Act III Potion Scene - Juliet written in blue felt tip pen, blue biro and pencil. Other details crossed out. Three pages of score handwritten in pencil
4. 13 loose pages of score handwritten in pencil, with lists of some casts, December 1971 and 1975
5. Book 10, ring bound in blue card covers with Romeo and Juliet Act I and a list of the dances in Act I, scene 4 in blue biro, with 14 pages of handwritten score in pencil, including six blank pages.
6. Book 3, ring bound in blue card covers with Romeo and Juliet Act I Balcony Pas de Deux and Act III Bedroom Pas de Deux in blue biro, with eight pages of handwritten score in pencil
7. Book 16, ring bound in blue card covers with Romeo and Juliet Act I and Act III and a list of the dances, and Checked 1970 at top left of cover, with 12 pages of handwritten score in pencil

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score, mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart. This file contains part of the rough score by Faith Worth and comprises

1. One handwritten title page giving a list of the book numbers and contents, in black biro, undated
2. Book 5, ring bound with blue card covers, Act II, Romeo solo + 3 Ladies of the Town + Mercutio + Benvolio (Part 1) handwritten in black biro, and Romeo and Juliet written in green felt tip pen, with five pages of score in pencil
3. Book 15, ring bound with blue card covers, Romeo and Juliet Act II and Act III with the dances handwritten in blue biro, and Checked 1970 in top left corner, with eight pages of score in pencil
4. Book 15A, ring bound with blue card covers, Act 2 Marriage Scene/Friar Lawrence, Juliet gets potion from Friar Lawrence handwritten in blue biro. Further details in pencil crossed out, with five pages of score in pencil. No back cover
5. Book 13, ring bound with blue card covers, Romeo and Julie Act II No 30 (-after Marriage) Crowd Scene and Ton-Up, handwritten in black biro, Checked 1970 in top left corner, with 20 pages of score in pencil. Handwritten pencil notes on back cover have been crossed out
6. Book 9, ring bound with blue card covers, Romeo Act II Sword Fight (with 1980 New Fight), Act III Family Scene - after Bedroom P de D, and Act II Mother (Lady Capulet - Tyb's death) handwritten in blue felt tip pen, some annotations in red and green felt tip pen, with nine pages of score in pencil with blue biro markings. No back cover
7. Book 17, ring bound with blue card covers, Romeo Act II Mercutio's Death, Lead into Romeo fight with Tybalt, and Act III Dead P de D handwritten in blue felt pen, with annotations in red and green felt tip pen, with six pages of score in pencil
8. Two pages of score, in pencil, Dead P de D