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One typed letter on two pages of 'Art Gallery and Museums and The Royal Pavilion' headed notepaper, from Mrs Lou Taylor, Costume Department, about material relating to Les Ballets 1933 held in the museum collections and asking for any help Kenneth MacMillan could offer in identifying some of the costumes, 19 July

Photographs of the ballet sequence in Carousel in production in Japan

One handwritten letter, signature indecipherable, about Kenneth MacMillan joining Alan Price and Gerald Scarfe to create a version of Phantom (of the Opera), 20 Sep 1984
One typed compliments slip with six pages of inserts for the script of Phantom of the Opera, n.d.
One typed letter from Sophie Marshall, Casting Director, about casting for Who's A Lucky Boy?, 9 Nov 1984

One digital print of Solitaire, c.1960, three photographs of Concerto and three of Pavane

One press review by Clive Barnes of a performance of a triple bill of Kenneth MacMillan ballets by The Royal Danish Ballet, n.d. but 1961.
Letters from The Royal Danish Ballet asking about the possibility of performing some of Kenneth MacMillan's ballets, including Mayerling, Manon and Concerto, 1977-1990.
Two handwritten faxes from Kenneth MacMillan to The Royal Danish Ballet about Concerto, 1991.
Faxes from The Royal Danish Ballet about performances of Concerto and Pavane, 1990-1991.
Agreements with Deborah MacMillan for costumes for Pavane, 13 Sep 1991, and with Kenneth MacMillan for Concerto and Pavane, 17 Sep 1991.

One colour transparency of a costume design by Nicholas Georgiadis for The Wife, 17 photographs of the first production of The Invitation including Lynn Seymour, Christopher Gable, Desmond Doyle and Anne Heaton, (one large) and one photograph of Kenneth MacMillan rehearsing Elizabeth Anderton and Desmond Doyle (large)

Production photographs of the first performance by The Royal Ballet Touring Company of The Burrow, 1958, with Anne Heaton, Donald Britton, Lynn Seymour, Donald MacLeary and others (large),

Two photographs of the set designs by James Goddard, three rehearsal photographs (one large) and three production photographs (one large)