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Photographs of Graham Fletcher in costume holding Kenneth MacMillan's daughter, Charlotte, on stage during a break in rehearsal for Rituals, with Barbara Booroff, Administrative Assistant

One photograph of the first production of Romeo and Juliet, one photograph taken from the wings of the Royal Opera House, Covent Garden, during a curtain call for Margot Fonteyn and the cast of a performance given in her honour, one colour photograph of the tomb scene (large)

Photographs of the 1990 revival of Song of the Earth

Photograph of Kenneth MacMillan with Viviana Durante during a break in rehearsals for The Judas Tree

Colour photographs of the model sets designed by Nicholas Georgiadis, black and white photographs of Darcey Bussell in the rehearsal studio, one black and white photograph of Kenneth MacMillan with Nina Anianashvili in studio during rehearsals, 1990, and colour photographs of the first performance of The Prince of the Pagodas

Eight rehearsal photographs, one including Sidney Nolan, and nine production photographs. The one by Clive Boursnell has an autograph note to Kenneth MacMillan on the reverse. Two photographs of [Kenneth MacMillan or Sidney Nolan] standing on stage looking at the backcloth (large)

One colour photograph of Kenneth MacMillan and Peter Wright in a mount dedicated 'Darling Kenneth Souvenir of your first triumphant visit to Rio, love Margot [Fonteyn]. Rio 1973'. Two black and white photographs of Margot Fonteyn receiving an award, in costume for The Sleeping Beauty, in South America, one colour photograph of an open air theatre, five colour photographs date stamped 12 May 1975 in the Far East, one colour photograph of John Tooley and Charlotte MacMillan eating, five colour photographs of Kenneth MacMillan and Peter Wright with Japanese women in kimonos, in Japan, one black and white photograph of Antoinette Sibley and HRH Princess Margaret at a dinner in New York

Photograph of the first performance of Valley of Shadows

Photographs in the rehearsal studio and one production photograph

The correspondence in this file is from Ninette de Valois to Kenneth MacMillan, January to October 1957. It covers the period when MacMillan was working with American Ballet Theatre as well as appearing with The Royal Ballet in Cinderella and creating new works for both companies. De Valois writes about the difficulties of making this work, sends encouragement following adverse press criticism, taking Solitaire on the US tour and casting, the difficulties of obtaining the music rights for Le Baiser de la fee, discussion with [Humphrey] Searle about possible composers, 4 Jan 1957-20 Oct 1957, n.d.