Showing 6 results

Four page, double-sided, handwritten letter to Kenneth MacMillan en route to America, on TWA In Flight letterheaded paper. Confessing she has sent a farewell telegram to Ivan Nagy on Kenneth's behalf and on instruction from American Ballet Theatre press office. Feeling nervous about her new role and how she will be regarded by the young dancers. Reports on her time in Greece with The Royal Ballet, Anthony Dowell's behaviour, Vergie (Derman), David Wall and Alfreda (Thorogood) are mentioned. She and Roy (Round, her husband) spent a weekend with Alastair (9th Marquess of Anglesey) and Doreen (Wells). Nora (Kaye) is considering Doreen for the young Karsavina in the Nijinsky movie, with envelope, 23.8.1978

Six page handwritten letter to Kenneth MacMillan complaining about his verbal attack on her and pointing out occasions when she has felt personally and professionally slighted by him and his actions. Mentions Nora (Kaye), with envelope, 11.6.1980

The material in this file comprises correspondence between Joseph Clapsaddle, William Severns and Donas Jean Russell of the Music Center Presentations, John Tooley and Paul Findlay of the Royal Opera House, Nora Kaye and Kenneth MacMillan about the possibility of a season of Kenneth MacMillan ballets at the Dorothy Chandler Pavillion at the Music Center in August 1981. The perceived intransigence of the Royal Opera House over the cost of this venture made it impossible, Mar - Aug 1980. A handwritten letter from Joe Clapsaddle to Kenneth MacMillan, requesting a meeting, n.d.

Ballerina Nora Kaye met Kenneth MacMillan in 1956 when he choreographed Winter's Eve for American Ballet Theatre. Nora Kaye and her husband, choreographer and director Herbert Ross were great friends of Kenneth MacMillan and his family. The material in this file consists mostly of letters expressing that friendship. It comprises

1. Delivery card to accompany flowers after seeing one of Kenneth MacMillan's ballets, n.d.
2. Handwritten card from Herbert Ross and Nora Kaye written by Nora, to Kenneth, Deborah and Charlotte, enclosing an unspecified gift , n.d.
3. Handwritten letter from Nora Kaye, enclosing photographs to remind them of their visit. Sending Kenneth MacMillan good wishes for The Seven Deadly Sins, n.d.
4. Handwritten letter from Nora Kay, mentioning Kenneth MacMillan's pending foot operation and Charlotte's tonsils. Also references to Misha (Mikhail Baryshnikov), Rudy (Rudolf Nureyev), Anthony Dowell and Norman Morrice, July 1st, no year
5. Handwritten note from Nora Kay enclosing an interview (not in file). Reference to Leslie [Browne] and Antony Tudor, n.d.
6. Typed letter from Herbert Ross inviting Kenneth and Deborah and baby for the summer, 19 Jul 1976
7. Telegram from Nora to Kenneth in Stuttgart, pleased with rushes of Romeo and Juliet, with envelope, 14 Sep 1976
8. Typed letter from Herbert Ross on Columbia Pictures headed notepaper, pleased that Kenneth liked the film [The Turning Point] and thanking him for letting them use the pas de deux from Romeo and Juliet, with envelope, 9 Jan 1978
9. Typed letter signed by Herbert and Nora to Deborah with thanks for Deborah's notes and congratulations on the wonderful reviews of Kenneth's ballet, with envelope, 26 Jun 1978
10. Typed letter signed by Herbert and Nora thanking Kenneth and Deborah for package from Fortnum and Masons, with envelope and covering note from Assistant to Herbert Ross apologising for delay, 19 Sep 1978
11. Three letters from Arlene Brownstein, Secretary to Herbert Ross, enclosing copies of the telephone bills for period when Kenneth and Deborah stayed at Herbert and Nora's homes in New York and Malibu, and one letter acknowledging receipt of payment, 16 Nov 1981 - 26 Feb 1982
12. One telegram from Nora [Kaye] with alteration to travel schedule, n.d.

Kenneth MacMillan created the one-act ballet Wild Boy for American Ballet Theatre for the 1981/82 season. The material in this file mostly relates to that production and comprises

1. Staple bound typed booklet American Ballet Theatre National Tour 1981-1982, giving details of venues, travel arrangements, performances and doctors in each tour city, 12 Oct 1981-7 Jun 1982
2. Seven pages of Rehearsal Call Sheets between 11 Sep 1981 and 20 Nov 1981 including rehearsals for Wild Boy
3. Typed note re arrangements for Jennifer Tipton, Lighting Designer, to see a run through of Wild Boy, 19 Nov 1981
4. Typed note from the John F. Kennedy Center Press Department with details of an interview by Richard Chistensen of the Chicago Tribune, 10 Dec 1981
5. Typed note from Nora [Kaye] to Kenneth and Debra, on Herbert D. Ross headed notepaper, enclosing a press review for Wild Boy, 28 Dec 1981, with envelope. The press cutting is stored with the other cuttings for performances of Wild Boy in RAD/2/MAC/12/1/7/8

This file relates to Kenneth MacMillan's first season as Artistic Associate and includes business and personal material. The file contains

1. Invitations to a photographic exhibition, to fund raising balls celebrating the first performances of Romeo and Juliet, a dinner in honour of Kenneth MacMillan and John Taras, and the National Society of Arts and Letters honouring Mikhail Baryshnikov
2. Three press releases announcing the 45th anniversary season of American Ballet Theatre, the Company premieres of Romeo and Juliet and of Anastasia
3. Office memos covering press and marketing events and some general admin, including comment on a dancer's weight and another's injury, and access to the viewing booth
4. Correspondence including a handwritten letter from Kenneth MacMillan to Deborah MacMillan, a handwritten letter from Princess Margaret expressing her regret at not being able to attend a performance in New York, letters of congratulations on the performances of Romeo and Juliet, a letter to Nora Kaye from Howard Rosenman enclosing a suggested treatment of The Death of Christopher Marlowe, to Kenneth MacMillan inviting him to join Dance Theatre of Harlem's Benefit Committee, to Deborah MacMillan about her theatrical jewellery