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Handwritten aerogramme from Sydney, Australia to Kenneth and Deborah MacMillan, complaining of the difficulties of the season but reporting that 'Romeo (and Juliet) is certainly the best thing on the bill'. Thanks them for the first night telegram. Praises Ivan Nagy both as dancer and person, reports that she makes her delayed debut as Swanhilda, and mentions forthcoming visit from Dan Hogg, 31.8.1972

Kenneth MacMillan created a three-act version of Anastasia for The Royal Ballet which premiered on 22 Jul 1971 at the Royal Opera House, Covent Garden. The material comprises:

1. A copy of French's Acting Edition No.967, The Recognition Scene from Anastasia by Marcelle Maurette, English Adaptation by Guy Bolton
2. A typed letter from John E. Manahan to Vernon Clarke, Manager of The Royal Ballet, 1 Jul 1971. The letter states that his wife, Grand Duchess Anastasia of Russia, joins him in granting free and unrestricted use of her name to The Royal Ballet for the forthcoming production of Anastasia. On letter head of The Huguenot Society of the Founders of Manakin in the Colony of Virginia, USA
3. Telegram to Kenneth MacMillan from Ursula Moreton, with love and best wishes for the first night, 22 Jul 1971
4. Telegram to Kenneth MacMillan from Ninette de Valois, 'Dear Kenneth you know how much I would have a great ballet meet with recognition and success for its Choreographer My Love Madam', 22 Jul 1971
5. Postcard from John Osborne, congratulating MacMillan, 23 Jul 1971
6. Handwritten letter from HRH Princess Margaret, congratulating Dear Kenneth on a really wonderful ballet and hoping he took absolutely no notice of the foully aggressive piece in The Times. On Kensington Palace headed notepaper with hand addressed envelope, 27 Jul 1971
7. Carbon copy of an interview by Rodney Milnes, titled Anastasia, discussing with Kenneth MacMillan the adverse press reaction to the ballet, the complexities of the narrative and cuts that MacMillan proposes to make. (Later published in Harpers & Queen, October 1971).
8. Press cutting of a Tabriz carpet of c. 1914 depicting Tsar Nicholas II, together with the Tsarina Alexander and the Tsarevich, Alexis. From Michael [Oliver] to Kenneth, 15 May 1980

Material in this folder relates to the 1980 premiere of Gloria and the 1985/86 revival by The Royal Ballet, and the staging for Houston Ballet in 1989. The material comprises:

1. Catalogue for The Slade School of Fine Art Postgraduate Sculpture Show in 1979, featuring the work of Andrew (Andy) Klunder
2. Handwritten letter from Peter S[now] to Kenneth MacMillan apologising that he found the Stage Design Show closed but praising Andy Klunder, 2 Aug 1979
3. Envelope addressed to Kenneth MacMillan in Stuttgart, with many drawings for headdresses and hairstyles, in blue biro, undated
4. One handwritten letter from Richard Ralph thanking Kenneth MacMillan for the interview 17 Oct 1979, and two handwritten compliments slips from Richard Ralph to Kenneth MacMillan, attaching the proof of Ralph's article and a photocopy of the article in Vogue, 17 Jan 1980 and 14 Feb 1980
5. Sheet of paper with random notes on
6. Typed sheet of optional casting for Gloria, February 1985/86, London. With covering sheet with Gloria and some numbers in pencil
7. Handwritten letter from Andy Klunder to Kenneth MacMillan, enclosing photos of the set and describing what he has done to the set in Houston, 23 Apr 1989. The letter is written on the back of one of three pages of photocopied notes for a recording of Socrate by Erik Satie that Klunder has sent to MacMillan and which he thinks he will like (the recording is not in the file)
8. Greetings card signed by members of [Houston Ballet] thanking Sir Kenneth for the opportunity to appear in his ballet (large)

Kenneth MacMillan created the one-act ballet Different Drummer for The Royal Ballet which received its premiere on 24 Feb 1984 at the Royal Opera House, Covent Garden. Material in the two files consists of notes and correspondence before the opening night, good luck telegrams and cards for the first night, and cards of congratulation. There are two pages of handwritten notes on choreographic score notation paper, mostly by Kenneth MacMillan, in pencil and black biro (large)

Kenneth MacMillan created the one-act ballet Elite Syncopations for The Royal Ballet which premiered at the Royal Opera House on 7 Oct 1974. The material comprises:

1. 11 telegrams wishing Kenneth MacMillan good luck for the first night, including from John Auld and the Touring Group, Barbara Fewster, Ann Jenner, John Tooley, Peter Wright, colleagues at The Royal Ballet, 7 Oct 1974
2. One telegram from Becky with covering note from Ken Davison, Organising Secretary of The Friends of Covent Garden, 8 Oct 1974
3. Two page handwritten letter from Zoe Dominic, photographer, to Kenneth MacMillan expressing her admiration for Elite Syncopations, 20 Oct 1974
4. One card signed 'With Love from The Elite Cast', n.d. (large)
5. One envelope with Kenneth MacMillan's handwritten notes Elite and numbers of girls, boys, men and ladies

Georgina Parkinson joined The Royal Ballet in 1958 and became close friends with Kenneth and Deborah MacMillan. She joined American Ballet Theatre in 1978 and was the Company's Ballet Mistress from 1980 to 2009 where she was responsible for supervising and rehearsing the staging of many MacMillan ballets. Two of the letters were written while a dancer with The Royal Ballet, the remainder while working with American Ballet Theatre.

This file contains cards, notes and letters wishing Kenneth MacMillan good luck for the first night of Different Drummer, with a few congratulating him on the success of the new work. There is also a joke certificate. The material comprises:

1. Five telegrams from Ashley Lawrence, Rudolf Noureev, Misha (Mikhail Baryshnikov) and Charles, Peter Schaufuss and 'Mike (Michael Attenborough) and All At Hampstead', 23 and 24 Feb 1984
2. Eleven cards wishing Kenneth MacMillan good luck, including from Stephen Rea, David Taylor, Romayne Grigorova and Iris Law, 24 Feb 1984 and undated
3. Two handwritten notes from Michael Elliot and one from Norman Morrice, with good wishes, 24 Feb 1984
4. Two postcards and one letter praising the ballet, including from Robin Hambro of the Royal Opera House Trust, 26 Feb 1984 and undated
5. Joke certificate from The Benesh Institute of Choreology certifying that Lady MacMillan is awarded the Title Finder of the Decade Prize for Different Drummer, 10 Jan 1984

Reviews of The Royal Ballet Triple Bill of Concerto, Las Hermanas and Requiem

Reviews of Birmingham Royal Ballet, English National Ballet, Northern Ballet, The Royal Ballet and Scottish Ballet in six performances at the Royal Opera House of Le Baiser de la fee, Concerto, Elite Syncopations, Gloria, Song of the Earth, The Judas Tree, Jeux and Sea of Troubles

Kenneth MacMillan created the one-act ballet Le Baiser de la fee for The Royal Ballet which premiered on 12 Apr 1960 at the Royal Opera House, Covent Garden. The material comprises:

1. A handwritten letter from Ninette de Valois with some suggestions for improvements, particularly to the Svetlana Beriosova role as the fairy. Undated
2. Telegram from Leo Lerman in New York to Kenneth MacMillan at the King's Theatre, Glasgow. 'Baiser Marvelous as Ever', 29 Sep 1960