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Four page, double-sided, handwritten letter to Kenneth MacMillan en route to America, on TWA In Flight letterheaded paper. Confessing she has sent a farewell telegram to Ivan Nagy on Kenneth's behalf and on instruction from American Ballet Theatre press office. Feeling nervous about her new role and how she will be regarded by the young dancers. Reports on her time in Greece with The Royal Ballet, Anthony Dowell's behaviour, Vergie (Derman), David Wall and Alfreda (Thorogood) are mentioned. She and Roy (Round, her husband) spent a weekend with Alastair (9th Marquess of Anglesey) and Doreen (Wells). Nora (Kaye) is considering Doreen for the young Karsavina in the Nijinsky movie, with envelope, 23.8.1978

Three page handwritten letter from California to Kenneth and Deborah complaining that she hasn't heard from them, describing the difficulties of her relationship with management but improving relationship with the dancers. Mentions Lucia (Chase), Anthony (Dowell), plans for Chicago and for a trip back to London, with envelope, 7.2.1979

Typed and printed material recording the Service of Thanksgiving for the Life and Work of Sir Kenneth MacMillan held at Westminster Abbey, London on 17 Feb 1993, comprising

1. Four press cuttings: from The Times 21 Dec 1992 announcing the date of the service of thanksgiving and details of how to apply for tickets with two names and a phone number handwritten by Deborah MacMillan, from The Times and The Daily Telegraph 18 Feb 1993 Court Circular and Memorial Service, giving details of who attended, from The Observer 21 Feb 1993 with anecdote given by Nicholas Hytner during his address
2. Two tickets for admission to the North Lantern and two parking tickets with instructions for parking and display of the tickets
3. Two copies of the programme for the Service of Thanksgiving
4. One copy each of Pegasus, the poem read by Lynn Seymour with covering note from Deborah MacMillan to Peter Brownlee at The Royal Ballet, typed copy of Ninette de Valois' tribute with annotations by Deborah MacMillan and covering letter from Helen Quinnell, secretary to Dame Ninette, typed copy of Peter Wright's address with minor changes by him in pencil and biro, and typed copy of Nicholas Hytner's address with minor changes by him in black felt pen and annotation by Deborah MacMillan

One colour transparency of the model set designed by Barry Kay for Act I, eight black and white photographs of the original production of Anastasia and later revivals, one portrait of Georgina Parkinson as The Tsarina (large, mounted on card)

Colour photographs of the model sets designed by Nicholas Georgiadis, black and white photographs of Darcey Bussell in the rehearsal studio, one black and white photograph of Kenneth MacMillan with Nina Anianashvili in studio during rehearsals, 1990, and colour photographs of the first performance of The Prince of the Pagodas