Handwritten aerogramme from Sydney, Australia to Kenneth and Deborah MacMillan, complaining of the difficulties of the season but reporting that 'Romeo (and Juliet) is certainly the best thing on the bill'. Thanks them for the first night telegram. Praises Ivan Nagy both as dancer and person, reports that she makes her delayed debut as Swanhilda, and mentions forthcoming visit from Dan Hogg, 31.8.1972

Anya Sainsbury was a dancer with The Royal Ballet, as Anya Linden, and created roles in several of Kenneth MacMillan's early ballets. She married John Sainsbury and they were great supporters of The Royal Ballet and the Royal Opera House as well as friends of Kenneth and Deborah MacMillan. The material in this file comprises

1. One page handwritten note from John Sainsbury to Kenneth and Debbie thanking them for their birthday wishes, dated Nov 8th, no year
2. One page letter handwritten on both sides, from Anya to Kenneth, c/o the Metropolitan Opera House, New York, forwarding Kate (Firestone's) contact details in California where Anya is staying, and sending best wishes for the forthcoming performances of Isadora in New York, undated but envelope postmarked June 1981
3. One page letter handwritten on both sides, from Anya to Kenneth congratulating him on the revival of Rite of Spring, with envelope, 26.10.1987
4. One page handwritten letter from John to Kenneth, sending congratulations for the performance of Rite of Spring, with envelope, 27.10.(1987)
5. Handwritten note to Kenneth from John and Anya (written by John) praising the performance 'of a true work of genius', undated by accompanied by a typed compliments slip dated 13.10.1989. The note refers to the performance of Requiem on 12.10.1989
6. Handwritten pencil draft of a thank you letter to John and Anya for the holiday on Crete that Kenneth, Deborah and Charlotte spent with the Sainsburys in 1991. Unrelated notes on the reverse in blue biro

Birthday, Christmas and general greetings cards and postcards from unidentified senders

Birthday, Christmas and general greetings cards and postcards from friends including dancers Nina Anianashvili, Mikhail Baryshnikov, Nora Kay and Herbert Ross, designer Nicholas Georgiadis, and Bob Lockyer and Bamber Gascoigne

Letters, cards and postcards to Kenneth and Deborah MacMillan, some from fans, some from friends and colleagues. They are signed with given name only so need further identification

Birthday, Christmas and general greetings cards and postcards, and one telegram from friends including The Royal Ballet dancers, Stuttgart Ballet, dancers Natalia Makarova, Merle Park and Brenda Last, actor Roger Rees, Cameron Mackintosh, Edward Thorp and Gillian Freeman

Clement Crisp was a dance historian, author and critic, as well as Librarian and Archivist at the Royal Academy of Dance for many years. He was a good friend and supporter of the work of Kenneth MacMillan. The material in this file includes some writings on Kenneth MacMillan by Clement Crisp, but mostly comprises postcards, notes and letters that are humorous, often at the expense of people they both know, and could be considered offensive. The material comprises

1. Handmade card signed by Peter (Hollamby) and Clement (Crisp), undated. Peter Hollamby was Clement Crisp's life partner.
2. Carbon copy of two typed pages of a mock biography of Kenneth MacMillan, undated
3. Five postcards, one typed and two handwritten notes, including invitations and humorous comments about dancers and ballets seen, 1969-1992 and undated
4. Photocopy of an article from The Stage, surrounded by humorous comments by Clement Crisp in red ink, undated
5. Typed letter on The Biltmore Hotel, Los Angeles headed notepaper, gossipy letter, August 18, no year
6. Typed letter praising the work of Kenneth MacMillan, having seen Requiem, Song of the Earth and My Brother, My Sisters in quick succession, 7.5.1978
7. Carbon copy of four typed pages of biography of Kenneth MacMillan by Clement Crisp, describing his work from Danses Concertantes in 1955 to Images of Love in 1964, with corrections in blue biro, undated
8. 10 typed pages, Kenneth MacMillan and His Ballets by Clement Crisp, the first seven giving a brief biography and a review of his ballets up to Romeo and Juliet, three final pages on Romeo and Juliet, with corrections in black biro, copyright Clement Crisp, undated
9. Carbon copy of three typed pages, Orpheus: Programme Note for Covent Garden by Clement Crisp, with handwritten corrections in blue biro, with typed note to Kenneth MacMillan 'For your comments', undated but Orpheus had its first performance in 1982
10. Carbon copy of three typed pages, MacMillan's Orpheus by Clement Crisp, taken from an interview with Kenneth MacMillan, with corrections in blue ink, with typed note to Kenneth MacMillan 'for your approval', 15.4.1982
11. One page typed letter enclosing a ballet scenario (not included) by Walter Gruber for I Promessi Sposi, undated but 1979 from the contents of the letter
12. Page from The Illustrated London News, 18.5.1912, with an illustration of forcible feeding of women suffragist prisoner, with additions by Clement Crisp in blue biro
13. Page from a press cutting album with photos of dancers, with additional captions by Clement Crisp in blue biro, undated
14. One photocopy of a mock x-ray, dated 1.7.1974

The files contain postcards, greetings cards and letters on a variety of subjects. Some are from dancers discussing roles, some from friends and colleagues offering congratulations on particular ballets, some offer good wishes and news

This file contains correspondence from actors including Claire Bloom and Jill Bennett, dancers including Merle Park and Ray Barra, Kenneth MacMillan's ballet teacher Phyllis Adams, and others. There is a handwritten letter from Michael Boulton and Margaret Hill at the time of Kenneth MacMillan's heart attack in Berlin in 1969, n.d.

Correspondence from actors, artists, composers, dancers and friends on a variety of personal and professional subjects