Kenneth MacMillan choreographed three versions of the one act ballet The Seven Deadly Sins between 1961 and 1984. The purpose of this Benesh Movement Notation score was to record the choreographic content of excerpts from Kenneth MacMillan's three existing productions of The Seven Deadly Sins as a resource for the creation of a new, site-specific production at Wilton's Music Hall, London in 2019. This file comprises

1. 15 pages comprising a title page, background to the project and details of cast and actions and a stage plan of Wilton's Music Hall, 2019
2. A copy of the master score, 71 pages

Kenneth MacMillan created the three-act ballet The Prince of the Pagodas for The Royal Ballet which premiered on 7.12.1989 at the Royal Opera House, London. There are two files of Benesh Movement Notation score. This file contains

1. Three pages listing the dances for Acts I, II and III with the corresponding page number for the music score, in pencil
2. 21 pages of Benesh Movement Notation score, mostly for Princess Rose (Darcey Bussell), The Salamander/Prince (Jonathan Cope) and the Four Kings, in pencil

Kenneth MacMillan created the three-act ballet The Prince of the Pagodas for The Royal Ballet which premiered on 7.12.1989 at the Royal Opera House, London. There are two files of Benesh Movement Notation score. This file contains

1. Ring bound volume containing 22 pages with 5 additional pages loose, in pencil and black biro, dated Feb 1988 on front cover. The last page has a long note to Monica (Parker?) explaining difficulties with the score. The signature is not legible but possibly from Michele Braban
2. Ring bound volume containing four pages of photocopies of the score, 12 pages with two additional pages, in pencil
3. 31 original pages of score and 75 pages of photocopies of score, many with notes and queries to MP (Monica Parker), unsigned but possibly from Michele Braban. One handwritten note by Monica Parker titled Teddy -Mesmeric in pencil attached to one page of score, 8 pages of photocopies of the music score

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains

1. Three pages of lined paper with a handwritten list of the action of the ballet by Act and Scene, in blue biro
2. One photocopy of a fax giving a list of the extras for Romeo and Juliet, Teatro Alla Scala, Milan, 17.5.1995
3. Photocopies of three pages of a typed Rudimentary Prop List, with As of 12/13/84 handwritten on top of first page, with pencil annotations by Monica Parker, the list dated 13.5.1975
4. Photocopy of a stage plan with placings for props, Act I, scene 1, January 1976, The Royal Ballet

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains the rough score by Faith Worth and comprises

1. Two title pages giving Book Numbers and contents, handwritten in black biro on score paper
2. Book 12, ring bound in blue card covers, with Romeo Act I Fight, Act II Letter Scene and Act II Romeo and Tybalt Fight on front cover, with notes and date 1980 in top right cover, in black biro over pencil and blue biro. 13 pages of score handwritten in pencil, blue biro and red felt pen. No back cover
3. Book 1, ring bound in blue card covers with Romeo, Romeo and Juliet on front cover with other details crossed out and details of Notes contained in the book added. Pencil, blue biro and felt tip pen, red felt tip pen. Two pages of score handwritten in pencil with green and black felt pen additions. Internal divider of blue card with Book 8, Corps - wedding Act II, Romeo, and Act III Potion Scene - Juliet written in blue felt tip pen, blue biro and pencil. Other details crossed out. Three pages of score handwritten in pencil
4. 13 loose pages of score handwritten in pencil, with lists of some casts, December 1971 and 1975
5. Book 10, ring bound in blue card covers with Romeo and Juliet Act I and a list of the dances in Act I, scene 4 in blue biro, with 14 pages of handwritten score in pencil, including six blank pages.
6. Book 3, ring bound in blue card covers with Romeo and Juliet Act I Balcony Pas de Deux and Act III Bedroom Pas de Deux in blue biro, with eight pages of handwritten score in pencil
7. Book 16, ring bound in blue card covers with Romeo and Juliet Act I and Act III and a list of the dances, and Checked 1970 at top left of cover, with 12 pages of handwritten score in pencil

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score, mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart. This file contains part of the rough score by Faith Worth and comprises

1. Title page a list of the books and their contents, handwritten in black biro.
2. Six pages of score, three with notes and score in pencil, three blank pages
3. Book 7, ring bound with blue card covers with Act I Opening, Act II Opening Dance, Perf Notes Act II Romeo enters and further details in red felt tip pen overwritten in black biro, Checked 1970 in top left corner in black felt tip pen, with 11 pages of score in pencil with black biro and felt pen additions. No back cover
4. Book 6, ring bound with blue card covers with Romeo and Juliet Act I and list of dances in blue biro, some crossed out in pencil, with 15 pages of score in pencil
5. Book 18, ring bound with blue card covers with Romeo and Juliet Act I and list of dances in blue biro and pencil, with 16 pages of score in pencil. No back cover
6. Book 4, ring bound with blue card covers with Romeo and Juliet Act I No. 10 Nursery Scene and No. 20 Romeo - Balcony Solo in blue biro, with eight pages of score in pencil. With note in pencil of what 'Rudy does' at end of Balcony Solo
7. Book 2, ring bound with blue card covers with Romeo and Juliet Act I No. 11 Going to the Ball and Exit from Ballroom in black and blue biro, with 12 pages of score in pencil, with a note in top margin on page 18 'KMc 1970'
8. Book 11, ring bound with blue card covers with Romeo and Juliet Act I and a list of dances in black and blue biro and pencil, with 12 pages of score in pencil

Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score, mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart. This file contains the material recorded by Tom Steuart and comprises

1. One ring bound score with brown card covers with Opening Dance Act 2 Romeo/Juliet Changes Oct 1979 and Mandolin Dance Act 2, Romeo/Juliet June 1981 handwritten in black biro on the front cover, with 43 pages of score with photocopies of score pasted onto left page, 14 pages are not bound
2. One plain sheet of paper with handwritten description of townswomen and whores dance
3. Nine small, 13 large and 8 large photocopied pages with grid of stage area with notes and notations

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains photocopies of Monica Parker's working score and includes some material that is not in the original score. The material comprises

1. A typed note giving instructions for arranging the score in the folder
2. Act I, 40 pages of photocopied Benesh Movement Notation score
3. Act II, 48 pages of photocopied Benesh Movement Notation score
4. One typed page giving details of Act II, scenes 1 and 2 dances and page numbers for the music score
5. Act II, 83 pages of photocopied Benesh Movement Notation score, some duplicating item 3 above
6. Act III, 15 pages of photocopied Benesh Movement Notation score

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act III of Monica Parker's working score and comprises

1. One lined page with a list of the music and dances, some with dancers' names atttached, in blue biro and pencil
2. Two typed pages, one with instructions for filing the document, one with a typed list of the scenes in Act III by number, and the page number for the music score
3. 39 pages of the Benesh Movement Notation score in pencil
4. 39 pages of Benesh Movement Notation score, in pencil with some pages numbered in black ink

Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act II of Monica Parker's working score and comprises

1. One lined page with a list of the music excerpts plus some dancers' names, in red biro and black ink. Dated 6.2.1975
2. One page of Act II scene 1 and Act II scene 2 list of the scenes and the music, in blue biro
3. 56 pages of Benesh Movement Notation score, 2 pages of photocopied score and three smaller unlined pages with notes. Mostly in pencil with page numbers in blue biro